Scissors

Scissors are hand-operated shearing tools. A pair of scissors consists of a pair of metal blades pivoted so that the sharpened edges slide against each other when the handles (bows) opposite to the pivot are closed. Scissors are used for cutting various thin materials, such as paper, cardboard, metal foil, cloth, rope, and wire. A large variety of scissors and shears all exist for specialized purposes. Hair-cutting shears and kitchen shears are functionally equivalent to scissors, but the larger implements tend to be called shears. Hair-cutting shears have specific blade angles ideal for cutting hair. Using the incorrect type of scissors to cut hair will result in increased damage or split ends, or both, by breaking the hair. Kitchen shears, also known as kitchen scissors, are intended for cutting and trimming foods such as meats.

Inexpensive, mass-produced modern scissors are often designed ergonomically with composite thermoplastic and rubber handles.

A pair of scissors consists of two pivoted blades. In lower-quality scissors, the cutting edges are not particularly sharp; it is primarily the shearing action between the two blades that cuts the material. In high-quality scissors, the blades can be both extremely sharp, and tension sprung – to increase the cutting and shearing tension only at the exact point where the blades meet. The hand movement (pushing with the thumb, pulling with the fingers) can add to this tension. An ideal example is in high-quality tailor's scissors or shears, which need to be able to perfectly cut (and not simply tear apart) delicate cloths such as chiffon and silk.

Mechanically, scissors are a first-class double-lever with the pivot acting as the fulcrum. For cutting thick or heavy material, the mechanical advantage of a lever can be exploited by placing the material to be cut as close to the fulcrum as possible. For example, if the applied force (at the handles) is twice as far away from the fulcrum as the cutting location (i.e., the point of contact between the blades), the force at the cutting location is twice that of the applied force at the handles. Scissors cut material by applying at the cutting location a local shear stress which exceeds the material's shear strength.

Some scissors have an appendage, called a finger brace or finger tang, below the index finger hole for the middle finger to rest on to provide for better control and more power in precision cutting. A finger tang can be found on many quality scissors (including inexpensive ones) and especially on scissors for cutting hair (see hair scissors pictured below). In hair cutting, some claim the ring finger is inserted where some place their index finger, and the little finger rests on the finger tang.

For people who do not have the use of their hands, there are specially designed foot-operated scissors. Some quadriplegics can use a motorized mouth-operated style of scissor.

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Maddie Ziegler Tries 9 Things She's Never Done Before | Allure

Maddie Ziegler tries nine things she's never done before, from drawing cat eye makeup on a cat and getting a palm reading, to dancing with hand masks on and putting makeup on someone while blindfolded.

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Hair Clipper

A hair clipper, often individually called the apparent plurale tantum hair clippers (in a similar way to scissors), is a specialised tool used to cut human head hair. Hair clippers work on the same principle as scissors, but are distinct from scissors themselves and razors. Similar but heavier-duty implements are used to shear sheep, but are called handpieces or machine shears.

Electric hair clippers work in a similar way as manual ones, but are driven by an electric motor which makes the blades oscillate from side to side. They have gradually displaced manual hair clippers in many countries. Three different motor types are used in clipper production: magnetic, rotary and pivot. Rotary style may be driven by direct current or alternating current electricity source. Both magnetic and pivot style clippers use magnetic forces derived from winding copper wire around steel. Alternating current creates a cycle attracting and relaxing to a spring to create the speed and torque to drive the clipper cutter across the combing blade.

Leo J. Wahl invented the first electric hair clipper. He first designed a hand-held massager for his uncle, Dr. Frank Wahl. Frank Wahl opened a manufacturing plant in Sterling, Illinois to produce and sell Leo's massager. During this time, Leo would sell massagers to various barbers and noticed an opportunity to improve upon the tools barbers were using at the time.

Leo Wahl took over his uncle's manufacturing business after Frank left to serve in the Spanish–American War in 1898. Leo continued to work on his inventions and by 1921, he patented his final design of an invention more than a decade in the making- the first electric hair clipper. Within a year, Wahl Manufacturing had manufactured and sold thousands of clippers all over the United States and in 1921 Leo renamed the company the Wahl Clipper Corporation. When Leo J. Wahl died on May 20, 1957, he had over 100 patent applications to his name. His descendants still operate the company today.

By 1921, Mathew Andis Sr. entered the electric clipper industry. Production of these clippers began in the basement of his home, with help from Anna, his wife. Andis sold his electric clippers door to door and one year later established the Andis O M Manufacturing with John Oster and Henry Meltzer. After the three men parted ways, Mathew established Andis Clipper Company the following year. Today, Andis Company remains a family-held business. In 1928, the John Oster Manufacturing Company joined the electric clipper market. In 1960, the John Oster Manufacturing Co. was acquired by Sunbeam Corporation. Oster continues to manufacture clippers today. Wahl Clipper Corporation, Andis Company and Oster Company all remain in business today and are highly successful in the clipper industry as are many other companies, such as Kim Laube & Co.

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Cutting

Hair cutting or hair trimming is intended to create or maintain a specific shape and form. There are ways to trim one's own hair but usually another person is enlisted to perform the process, as it is difficult to maintain symmetry while cutting hair at the back of one's head.

Cutting hair is often done with hair clipper, scissors, and razors. Combs and hair grips are often employed to isolate a section of hair which is then trimmed.

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Three Ways to Tie Your Turban/Headscarf Tutorial | My Three Favourite Sc...

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Defining Factors of Hairstyles

A hairstyle's aesthetic considerations may be determined by many factors, such as the subject's physical attributes and desired self-image and/or the stylist's artistic instincts.

Physical factors include natural hair type and growth patterns, face and head shape from various angles, and overall body proportions; medical considerations may also apply. Self-image may be directed toward conforming to mainstream values (military-style crew cuts or current "fad" hairstyles such as the Dido flip), identifying with distinctively groomed subgroups (e.g., punk hair), or obeying religious dictates (e.g., Orthodox Jewish have payot, Rastafari have Dreadlocks, North India jatas, or the Sikh practice of Kesh), though this is highly contextual such that "mainstream" look in one setting may be limited to a "subgroup" in another.

A hairstyle is achieved by arranging hair in a certain way, occasionally using combs, a blow-dryer, gel, or other products. The practice of styling hair is often called hairdressing, especially when done as an occupation.

Hairstyling may also include adding accessories (such as headbands or barrettes) to the hair to hold it in place, enhance its ornamental appearance, or partially or fully conceal it with coverings such as a kippa, hijab, tam or turban.

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Contemporary Hairstyles

Since the 1960s and 70s, women have worn their hair in a wide variety of fairly natural styles. In the 1980s, women pulled back their hair with scrunchies, stretchy ponytail holders made from cloth over fabric bands. Women also often wear glittery ornaments today, as well as claw-style barrettes used to secure ponytails and other upswept or partially upswept hairstyles. Today, women and men can choose from a broad range of hairstyles, but they are still expected to wear their hair in ways that conform to gender norms: in much of the world, men with long hair and women whose hair does not appear carefully groomed may face various forms of discrimination, including harassment, social shaming or workplace discrimination. This is somewhat less true of African-American men, who wear their hair in a variety of styles that overlap with those of African-American women, including box braids and cornrows fastened with rubber bands and dreadlocks.

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NEW Heatless Curls Tutorial 💙 ROBE CURLS UPDATED

NEW how to heatless curls tutorial with Robe Curls! Last May I posted my overnight bath robe curl hair tutorial, which now has over 1.6 million views! And ever since I have received countless messages from you about how much you loved Robe Curls. Fast forward to the start of this year, I was introduced to the brand RobeCurls. They created the first curling headband purposefully designed to give you curls and waves, anytime, anywhere. I’ve been testing RobeCurls since March of this year, and I’m so excited to finally share it with all of you. This is the best heatless curling product I have tried, and I have tested a lot. Robe curls and I collaborated on the beautiful Dusty Rose colour, and I know you’re going to love it, I can’t wait to hear what you think.

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Inter & Post-war Hair History

Inter-war years

During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the 1920s women started for the first time to bob, shingle and crop their hair, often covering it with small head-hugging cloche hats. In Korea, the bob was called tanbal. Women began marcelling their hair, creating deep waves in it using heated scissor irons. Durable permanent waving became popular also in this period: it was an expensive, uncomfortable and time-consuming process, in which the hair was put in curlers and inserted into a steam or dry heat machine. During the 1930s women began to wear their hair slightly longer, in pageboys, bobs or waves and curls.

During this period, Western men began to wear their hair in ways popularized by movie stars such as Douglas Fairbanks, Jr. and Rudolph Valentino. Men wore their hair short, and either parted on the side or in the middle, or combed straight back, and used pomade, creams and tonics to keep their hair in place. At the beginning of the Second World War and for some time afterwards, men's haircuts grew shorter, mimicking the military crewcut.

During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though controversial, were extremely popular. Bobbed hair also became more popular for Japanese women, mainly among actresses and moga, or "cut-hair girls," young Japanese women who followed Westernized fashions and lifestyles in the 1920s.

Post-war years

After the war, women started to wear their hair in softer, more natural styles. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the later 1950s, high bouffant and beehive styles, sometimes nicknamed B-52s for their similarity to the bulbous noses of the B-52 Stratofortress bomber, became popular. During this period many women washed and set their hair only once a week, and kept it in place by wearing curlers every night and reteasing and respraying it every morning. In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight. Women straightened their hair through chemical straightening processes, by ironing their hair at home with a clothes iron, or by rolling it up with large empty cans while wet. African-American men and women began wearing their hair naturally (unprocessed) in large Afros, sometimes ornamented with Afro picks made from wood or plastic. By the end of the 1970s the Afro had fallen out of favour among African-Americans, and was being replaced by other natural hairstyles such as corn rows and dreadlocks.

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Early Modern History

Male styles
During the 15th and 16th centuries, European men wore their hair cropped no longer than shoulder-length, with very fashionable men wearing bangs or fringes. In Italy, it was common for men to dye their hair. In the early 17th century male hairstyles grew longer, with waves or curls being considered desirable in upper-class European men.

The male wig was supposedly pioneered by King Louis XIII of France (1601–1643) in 1624 when he had prematurely begun to bald. This fashion was largely promoted by his son and successor Louis XIV of France (1638–1715) that contributed to its spread in European and European-influenced countries. The beard had been in a long decline and now disappeared among the upper classes.

Perukes or periwigs for men were introduced into the English-speaking world with other French styles when Charles II was restored to the throne in 1660, following a lengthy exile in France. These wigs were shoulder-length or longer, imitating the long hair that had become fashionable among men since the 1620s. Their use soon became popular in the English court. The London diarist Samuel Pepys recorded the day in 1665 that a barber had shaved his head and that he tried on his new periwig for the first time, but in a year of plague he was uneasy about wearing it:

3rd September 1665: Up, and put on my coloured silk suit, very fine, and my new periwig, bought a good while since, but darst not wear it because the plague was in Westminster when I bought it. And it is a wonder what will be the fashion after the plague is done as to periwigs, for nobody will dare to buy any hair for fear of the infection? That it had been cut off the heads of people dead of the plague.

Late 17th-century wigs were very long and wavy (see George I below), but became shorter in the mid-18th century, by which time they were normally white (George II). A very common style had a single stiff curl running round the head at the end of the hair. By the late 18th century the natural hair was often powdered to achieve the impression of a short wig, tied into a small tail or "queue" behind (George III).

Short hair for fashionable men was a product of the Neoclassical movement. Classically inspired male hair styles included the Bedford Crop, arguably the precursor of most plain modern male styles, which was invented by the radical politician Francis Russell, 5th Duke of Bedford as a protest against a tax on hair powder; he encouraged his friends to adopt it by betting them they would not. Another influential style (or group of styles) was named by the French "à la Titus" after Titus Junius Brutus (not in fact the Roman Emperor Titus as often assumed), with hair short and layered but somewhat piled up on the crown, often with restrained quiffs or locks hanging down; variants are familiar from the hair of both Napoleon and George IV. The style was supposed to have been introduced by the actor François-Joseph Talma, who upstaged his wigged co-actors when appearing in productions of works such as Voltaire's Brutus (about Lucius Junius Brutus, who orders the execution of his son Titus). In 1799, a Parisian fashion magazine reported that even bald men were adopting Titus wigs, and the style was also worn by women, the Journal de Paris reporting in 1802 that "more than half of elegant women were wearing their hair or wig à la Titus."

In the early 19th century the male beard, and also moustaches and sideburns, made a strong reappearance, associated with the Romantic movement, and all remained very common until the 1890s, after which younger men ceased to wear them, with World War I, when the majority of men in many countries saw military service, finally despatching the full beard except for older men retaining the styles of their youth, and those affecting a Bohemian look. The short military-style moustache remained popular.

Female styles
From the 16th to the 19th century, European women's hair became more visible while their hair coverings grew smaller, with both becoming more elaborate, and with hairstyles beginning to include ornamentation such as flowers, ostrich plumes, ropes of pearls, jewels, ribbons and small crafted objects such as replicas of ships and windmills. Bound hair was felt to be symbolic of propriety: loosening one's hair was considered immodest and sexual, and sometimes was felt to have supernatural connotations. Red hair was popular, particularly in England during the reign of the red-haired Elizabeth I, and women and aristocratic men used borax, saltpeter, saffron and sulfur powder to dye their hair red, making themselves nauseated and giving themselves headaches and nosebleeds. During this period in Spain and Latin cultures, women wore lace mantillas, often worn over a high comb, and in Buenos Aires, there developed a fashion for extremely large tortoise-shell hair combs called peinetón, which could measure up to three feet in height and width, and which are said by historians to have reflected the growing influence of France, rather than Spain, upon Argentinians.

In the middle of the 18th century the pouf style developed, with women creating volume in the hair at the front of the head, usually with a pad underneath to lift it higher, and ornamented the back with seashells, pearls or gemstones. In 1750, women began dressing their hair with perfumed pomade and powdering it white. Just before World War I, some women began wearing silk turbans over their hair.

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